rigoletto: la donna e mobile

Meanwhile, Rigoletto shuffles in, singing of his grief. What is the relationship of the two protagonists in the opening of The Valkyrie? Redeem Now Play Rigoletto: ACT III 'La donna mobile' (Duke) Opera North 1 year ago 1,923 4 1 Opera North 1,120 She looks through the crack in the wall and overhears Maddalena trying to persuade her brother not to kill the Duke. Pur mai non sentesi The curse! he falls over her lifeless body. Rigoletto - 'La donna mobile' (Verdi; Vittorio Griglo, The Royal Opera) Royal Opera House 1.18M subscribers Subscribe 4.7K 395K views 5 years ago Vittorio Griglo sings the famous aria. Rigoletto and Gilda travel to the outskirts of town to pay a visit to the assassin, Sparafucile. Crying out, Ah! Ev'ry way bendeth and more. The courtiers mock him for losing his mistress, but he reveals that the young woman is actually his daughter. chi su quel seno He pounds on the door, but no one answers. La donna mobil'. E'sempre misero The inherent irony is that it is the callous playboy Duke himself who is mobile ("inconstant") This canzone is famous as a showcase for tenors, and has been recorded by Enrico Caruso, Mario Lanza, Plcido Domingo, Luciano Pavarotti and hundreds of others. The canzone is famous as a showcase for tenors. his unwary heart! Rigoletto, the Duke's right-hand man, and his daughter, Gilda, who has fallen in love with the Duke, pay a visit to Sparafucile. Gilda reappears outside the house, dressed as a man. Woe who dependeth Rigoletto - La donna mobile. It is arguably the most misogynistic piece in all of opera, its text essentially calls women "fickle" and "small-minded.". LA DONNA MOBILE. Based closely on the controversial 1832 play Le Roi samuse (The King Amuses Himself; also performed in English as The Kings Fool) by Victor Hugo, Verdis opera was nearly kept off the stage by censors. mal cauto il cuore! Francesco Maria Piave (181076), Verdis librettist for Rigoletto, collaborated with him on ten works, including Ernani, La Traviata, La Forza del Destino, and the original versions of Macbeth and Simon Boccanegra. menzognero.Refrain Some lose their hearts and others their lives in this dramatic story of love, lust, and retribution. and her thoughts! Gilda is stricken by remorse, for she failed to tell her father about the young man who has followed her to church. Then he invites the Duke to stay for the night. Rigoletto is still upset by Monterone's curse. He will not tell her anything else, only that she is his whole life. The duration of the song is 2:26. . As he is led away, Monterone places a curse upon the Duke and Rigoletto for laughing at a fathers grief. Duration: 2:16 Very early in their work on the libretto, under the title La maledizione (The Curse), Verdi and Piave began revising the story so that they would avoid problems with the censors. He finds a handkerchief, but it is not hers. La donna e mobile, Op.613 (Grobe, Charles) Le monde musical, Op.90 (Popp, Wilhelm) Le Rpertoire pour les petites mains, Op.56 (Maylath, Henry) Leichte Potpourri's (Burgmller, Franois) Les trois amies, Op.27 (Popp, Wilhelm) M. Minuetto de l'opera Rigoletto, Op.37 (Ascher, Joseph) He motions for Giovanna to leave. They are 3.8mil truncated conical, 2.3mil truncated conical, 2.8mil truncated conical, 3.3mil truncated conical. brother and sister A style of opera developed by early Italian Romantic composers was called: bel canto. Waywardly playing Noticing that her father is troubled, she begs him to tell her what is wrong. After she leaves, Rigoletto fetches Sparafucile and pays him half the money for the murder. If Verdi wished to stage an opera in Milan or Venice, two cities central to his career, he needed permission from both Austrian and local authorities. " La donna mobile " ( pronounced [la dnna mmbile]; "Woman is fickle") is the Duke of Mantua's canzone from the beginning of act 3 of Giuseppe Verdi 's opera Rigoletto (1851). Ne'er one way swaying Size 10.0 Source 78 User_cleaned Kevin Coupe User_metadataentered Brian Fritz User_transferred Brian Fritz. They drag Gilda screaming out of the house; she drops a scarf as they take her off. Qual piuma al vento, Rigoletto (La Donna E Mobile) by Verdi Masterpiece (8506-B) Publication date 1941 Topics 78rpm, Orchestral Digitizing sponsor Kahle/Austin Foundation Contributor Internet Archive Language Italian Writer: Verdi Tenor and Orchestra. Gilda rushes in, weeping for shame. The action proceeds almost continuously, so the audience rarely perceives artificial breaks for conventional arias. leggiadro viso, e di pensier sempre misero Chi a lei s'affida, chi le confida, mal cauto il core! La donna mobile qual piuma al vento. Song title:"La donna mobile" ("Woman is fickle"), Performance dates:October 7 November 3, 2017, Artists:Matthew Polenzani (The Duke) and the Lyric Opera Orchestra under MaestroMarco Armiliato. The story, based on a controversial play by Victor Hugo, tells of an outsidera hunchbacked jesterwho struggles to balance the dueling elements of beauty and evil that exist in his life. La Donna e mobile from 'Rigoletto' (Mount, George) L cont. La Donna Mobile is unquestionably the most famous aria in Giuseppe Verdi's opera Rigoletto, a story in which Rigoletto, a jester, attempts to enact revenge on the Duke of Mantua for seducing his daughter, Gilda. No joy worth knowing When they reach the inn in which Sparafucile is staying, they hear the Duke's voice bellowing within singing "La donna e mobile" ("Woman is fickle") as he puts on a show for Maddalena with hopes of seducing her. e di pensiero. sempre misero chi a lei s'affida, chi le confida mal cauto il core! Technical Notes: a little noisy; some pops; distortion; low recording level, Uploaded by web pages Accompaniments (1) Complete Score. sempre misero chi a lei s'affida. Digitized at 78 revolutions per minute. La donna mobile Rigoletto3 3 1851 220031214 YouTube La donna mobile qual piuma al vento, Verdi composed the opera in the middle years of his career. Under its final title, Rigoletto, the premiere was well received. he who confides in her Sept., 1939 and originally issued on Royale 1784. The courtiers clamber up the ladder and into Rigolettos house. Woe who dependeth They do so, but they stay nearby to watch him. The theme is repeated several times in the approximately two to three minutes it takes to perform the aria, but with the importantand obviousomission of the last bar. Verdi, Rigoletto: Act 3 - La donna mobile Sheet music for Piano, Voice (other) (Piano-Voice) | Musescore.com Winter Sale: 65% OFF 03d: 18h: 43m: 36s View offer 00:00 / 02:02 Off 100% F, d Winter Sale 65% OFF Play the music you love without limits for just $9.99 $3.33/month. His role in Italys cultural and political development has made him an icon in his native country. Hiroyuki Ito/Hulton Archive / Getty Images. La donna mobile, Carmen, Act II: VI. Rigoletto: La Donna e mobile - Luciano Pavarotti. TikTok video from Marky Mark702 (@markymark7023). Just then a page enters with a message from the Duchess. Let us know if you have suggestions to improve this article (requires login). Download Verdi: Rigoletto / Act 3 - "La donna mobile" song and listen Verdi: Rigoletto / Act 3 - "La donna mobile" MP3 song offline. Libretulde Francesco Maria Piave, adaptat dup melodrama Le roi s'amuse(Regele se amuz) de Victor Hugo. The Duke, in his hiding place, is stunned to discover that the woman he desires is Rigolettos daughter. Rigoletto - La donna mobile - text, peklad. jakej When all of Italy was under lockdown due to the COVID-19 pandemic, a video of opera singer Maurizio Marchini performing "La donna mobile" and other arias and songs from his balcony in Florence went viral. Alone, Gilda reflects on her lovers name and swears to love him forever (Caro nome). If you are using Internet Explorer or other browsers you may encounter problems with certain sections of our website. Download Verdi: Rigoletto / Act 3 - La donna mobile song and listen Verdi: Rigoletto / Act 3 - La donna mobile MP3 song offline. He is about to roll the body into the water when he hears the Duke singing his theme song from inside the house. To prove her wrong, Rigoletto leads her over to an opening in the wall of Sparafuciles house and tells her to watch. The opera opens with the Duke plotting the seduction of a young beauty he met in church while . Premiera operei a avut loc la 11 martie1851, la Teatro La Fenicedin Veneia. Sparafucile, thinking again of the money, gets his dagger ready. Pur mai non sentesi felice appieno. 1995. Digitized at 78 revolutions per minute. From outside the house, Gilda and Rigoletto watch as the Duke pursues Maddalena. She admits that she loves him and asks his name. The full performance is now available digitally, in celebration of its 25th anniversary: https://w.lnk.to/The3TenorsLYJos Carreras, Plcido Domingo, and Luciano Pavarotti were joined by conductor Zubin Mehta, the L.A. Philharmonic, and the L.A. Music Center Opera Chorus at Los Angeles's Dodger Stadium for this legendary concert, preceding the 1994 World Cup.A Tibor Rudas production.________Warner Classics Website: http://www.warnerclassics.comSubscribe to our: YT- Channel: https://wnrcl.me/subscribeYT Newsletter https://wnrcl.me/subscribeNLFollow us on: Facebook: http://www.fb.com/WarnerClassicsErato Instagram: http://www.instagram.com/warner_classics Twitter: http://twitter.com/WarnerClassics YouTube: https://www.youtube.com/warnerclassicsListen to us on: Spotify: http://open.spotify.com/user/warnerclassics Apple Music: http://itunes.apple.com/curator/warner-classics/1153741571 Deezer https://www.deezer.com/profile/321050935Warner Classics is the home of classical music, featuring iconic high audio quality recordings from the greatest classical legends, opera stars and orchestras of the last century.Discover our unique collection of live performances, studio sessions and films featuring Maria Callas, Jacqueline du Pr, Nigel Kennedy, Mstislav Rostropovich, Yehudi Menuhin, Itzhak Perlman, Herbert von Karajan, Berliner Philharmoniker and more.Along with its sister label Erato, Warner Classics continues this tradition with today's most in-demand classical artists, such as Philippe Jaroussky, Joyce DiDonato, Diana Damrau, Emmanuel Pahud, Alexandre Tharaud, Sir Antonio Pappano, Christina Pluhar and Renaud Capuon.Enjoy this ever-expanding library of official performance videos and exclusive interviews from the classical greats. In the Mets production, the action unfolds in Weimar Germany in the 1920s, a time and place with surprising parallels to the decadentand dangerousworld of the original setting. The Duke's (Matthew Polenzani) voice can be heard from inside, singing "La donna mobile" ("Woman is fickle"). on March 2, 2021, Opera Disc (2-52641), There are no reviews yet. fully happy Sparafucile takes her aside and shows her the money. By using this site, you agree to our Privacy Policy, which describes our use of cookies. ) In fact, upon seeing Rigoletto in Paris, Victor Hugo himself wrote about the quartet: If I could only make four characters in my plays speak at the same time, and have the audience grasp the words and the sentiments, I would obtain the very same effect. 78rpm Records Digitized by George Blood, L.P. He reflects again on Monterones curse and rails at Nature for making him deformed and wicked, with no choice but to be a buffoon and no solace but in mocking the Dukes courtiers. His daughter proceeds to comfort him with the image of her mother watching over them from heaven. He reveals his sword and offers to free Rigoletto from the man who cursed him. Meanwhile, Sparafucile comes out of the house, draws Rigoletto aside, and asks if the Duke should live or die. Matrix number: None listedCatalog number: 1616-B. Wie eine Feder im Wind At Sparafuciles signal, his sister, Maddalena, comes downstairs. Sparafucile suggests that they quickly throw the body in the water, but Rigoletto wants to do it himself. Rigoletto returns, asking Gilda if anyone has ever followed her to church; she says no. Rigoletto says that he will come back later to discuss this. According to Operabase, which gathers statistical information from opera houses around the world, Verdi's "Rigoletto" was the 8th-most performed opera in the world during the 2014/15 season. Always a lovely, The Duke's (Matthew Polenzani) voice can be heard from inside, singing "La donna mobile" ("Woman is fickle"). Listen to Verdi: Rigoletto / Act 3 - La donna mobile MP3 Song by Roberto Alagna from the Italian movie Grands airs d'opra free online on Gaana. Digitized at 78 revolutions per minute. The story and music were a change from many of the operas at the time. Rigoletto premiered on 11 March 1851 in a sold-out La Fenice as the first part of a double bill with Giacomo Panizza's ballet Faust.Gaetano Mares conducted, and the sets were designed and executed by Giuseppe Bertoja and Francesco Bagnara. Uploaded by World premiere: Teatro La Fenice, Venice, 1851A dramatic journey of undeniable force, Rigoletto was immensely popular from its premiere and remains fresh and powerful to this day. muta d'accento They are 3.5 mil truncated eliptical, 2.3 mil truncated conical, 2.8 mil truncated conical, 3.3 mil truncated conical. 78rpm Records Digitized by George Blood, L.P. Get a Britannica Premium subscription and gain access to exclusive content. La donna mobile Qual piuma al vento Muta d'accento E di pensiero Sempre un amabile Leggiadro viso In pianto o in riso menzognero La donna mobile La donna mobile Rigoletto3, 31851, 220031214, . muta d'accento Four stylii were used to transfer this record. Qual piuma al vento, muta d'accento e di pensier'! Study with Quizlet and memorize flashcards containing terms like In the aria "La donna mobile," the Duke of Mantua, which is a _____ role, is singing., Which best describes the combination of voices featured in the Quartet section of Verdi's Rigoletto?, Which best describes the first strophe of Verdi's aria "La donna mobile"? Like a feather in the wind, La donna e mobile | Library of Congress Audio Recording La donna e mobile Rigoletto / Rigoletto. Due to a planned power outage on Friday, 1/14, between 8am-1pm PST, some services may be impacted. The recording on the other side of this disc: Not completed due to physical condition of disc. Sempre un amabile, Immer ein liebenswrdiges, Reizendes Gesicht, In Lachen und Weinen, das ist Verlogenheit. About the Composer of 'La Donna e Mobile' from Rigoletto. Rigoletto is very protective of his daughter and wants to have the Duke killed since he is a man that cannot be trusted with women. [Cast performance] Elaine and Maestro sing in his convertible. La donna mobile (English translation) Artist: Giuseppe Verdi Featuring artist: Luciano Pavarotti Also performed by: Anatoliy Solovyanenko, Florent Pagny Song: La donna mobile Album: Rigoletto (1851) Translations: English #1 +12 more Translations of covers: Ukrainian English translation A A Woman Is Flighty Versions: #1 #2 La donna mobile qual piuma al vento, muta d'accento e di pensiero. The composer was eager to adapt Hugos Le Roi samuse, which he declared the greatest subject and perhaps the greatest drama of modern times. Verdi also said that the title character, called Tribolet in the play, was worthy of Shakespeare. The composer, librettist, and theatre management were aware that getting the libretto through the censorship process could be a challenge. Refrain La donna mobil'. They are 3.5mil truncated eliptical, 2.3mil truncated conical, 2.8mil truncated conical, 3.3mil truncated conical. Verdi knew that he had written a catchy tune, so he provided the score to the singer at the premiere, Raffaele Mirate, only shortly before the premiere and had him swear not to sing or whistle the song outside rehearsals. Marullo identifies himself and tells him that they are planning to abduct Countess Ceprano for the Duke. Rigoletto orders the courtiers to leave. Lyrics of the 'Rigoletto' Aria 'Questa O Quello', Vesti La Giubba Lyrics, Translation, History, and More, "Les Oiseaux dans la Charmille" Lyrics and Translation, English Translation of "Sempre Libera" from Verdi's "La Traviata", Learn the Lyrics to "Voi Che Sapete Che Cosa E Amor", "Vissi d'Arte" Lyrics, Text Translation, and History, "E Susanna non vien!Dove sono i bei momenti" Lyrics and Translation, B.A., Classical Music and Opera, Westminster Choir College of Rider University. Plume in the summerwind muta d'accento Borsa, meanwhile, admires the ladies at the ball, and the Duke is particularly taken with the wife of Count Ceprano. Period: Romantic: Piece Style Romantic: Instrumentation piano Related Works Based on Rigoletto by Verdi: He reveals his sword and offers to free Rigoletto from the man who cursed him. Even minor characters are delineated musicallyfor example, through distinctive rhythmic, melodic, or harmonic patterns. LETRA La donna mobile Matched on Catalog number, Publisher, and person confirmed. She serves on the music faculty of Metropolitan State University of Denver and gives pre-performance talks for Opera Colorado and the Colorado Symphony Linda Cantoni has worked with the Regina Opera Company in various capacities -- onstage, backstage, and offstage -- since its inception forty years ago. Rigoletto and Gilda listen from outside as the Duke flirts with Maddalena. They are 3.8mil truncated conical, 2.3mil truncated conical, 2.8mil truncated conical, 3.3mil truncated conical. The opening night was a complete triumph, especially the scena drammatica and the Duke's cynical aria, "La donna mobile", which was sung in the streets . jakej leggiadro viso, e di pensiero. Betsy Schwarm is a music historian based in Colorado. [6], "Tales from the terraces: The chants of a lifetime", "Dal balcone di Gavinana al mondo: cos il tenore conquista la citt", Portrait of the aria in the online opera guide www.opera-inside.com, https://en.wikipedia.org/w/index.php?title=La_donna__mobile&oldid=1083567479, This page was last edited on 19 April 2022, at 13:49. About Rigoletto: La Donna Mobile Song. Qual piuma al vento. #NowPlaying Luciano Pavarotti - Verdi: Rigoletto / Act 3 - 'La donna mobile' sur http://stationsimone.fr #VotreWebtransistor . Countess Ceprano, Cepranos wife (soprano or mezzo-soprano), Count Monterone, an elderly nobleman (baritone), Giovanna, Gildas nurse (soprano or mezzo-soprano). In Europe, 'La donna e mobile' is one of the most popular melodies for football chants. Show More plus-circle Add . Search the history of over 797 billion Muta d'accento e di pensier, e di pensier. The operas many musical highlights include the ebullient La donna mobile, in which the Duke boasts of his disregard for women; Gildas exquisite, plangent duets with Rigoletto and the Duke; and the gorgeous Act III quartet that beautifully weaves the voices together as the story quickens to its shattering conclusion. in pianto o in riso, Meanwhile, the storm is worsening. "La donna mobile" (pronounced[la dnna mmbile]; "Woman is fickle") is the Duke of Mantua's canzone from the beginning of act 3 of Giuseppe Verdi's opera Rigoletto (1851). As the opera progresses, the reprise of the tune in the following scenes contributes to Rigoletto's confusion as he realizes from the sound of the Duke's lively voice coming from the tavern (offstage) that the body in the sack over which he had grimly triumphed was not that of the Duke after all: Rigoletto had paid Sparafucile, an assassin, to kill the Duke, but Sparafucile had deceived Rigoletto by indiscriminately killing Gilda, Rigoletto's beloved daughter, instead.[2]. The Duke emerges from hiding and throws himself at Gildas feet, repeating that he loves her. The Three Tenors in Concert 1994: "La donna mobile" from Rigoletto Warner Classics 758K subscribers Subscribe 53K Share 5.3M views 3 years ago The Three Tenors sing the Duke of Mantua's. Ev'ry way bendeth As Monterone leaves, Rigoletto swears that he will be avenged (S, vendetta). Thus heart of womankind on July 17, 2021. The killers attractive sister, Maddalena, will lure the victim to their house, where Sparafucile will quietly execute him. 78_rigoletto-la-donna-mobile_enrico-caruso-victor-symphony-orchestra_gbia0323321b, Advanced embedding details, examples, and help, http://adp.library.ucsb.edu/index.php/objects/detail/10034, _78_rigoletto-la-donna-mobile_enrico-caruso-victor-symphony-orchestra_gbia0323321b_01_3.8_CT_EQ.flac, _78_rigoletto-la-donna-mobile_enrico-caruso-victor-symphony-orchestra_gbia0323321b_01_3.8_CT_flat.flac, _78_rigoletto-la-donna-mobile_enrico-caruso-victor-symphony-orchestra_gbia0323321b_02_2.3_CT_EQ.flac, _78_rigoletto-la-donna-mobile_enrico-caruso-victor-symphony-orchestra_gbia0323321b_02_2.3_CT_flat.flac, _78_rigoletto-la-donna-mobile_enrico-caruso-victor-symphony-orchestra_gbia0323321b_03_2.8_CT_EQ.flac, _78_rigoletto-la-donna-mobile_enrico-caruso-victor-symphony-orchestra_gbia0323321b_03_2.8_CT_flat.flac, _78_rigoletto-la-donna-mobile_enrico-caruso-victor-symphony-orchestra_gbia0323321b_04_3.3_CT_EQ.flac, _78_rigoletto-la-donna-mobile_enrico-caruso-victor-symphony-orchestra_gbia0323321b_04_3.3_CT_flat.flac, _78_rigoletto-la-donna-mobile_enrico-caruso-victor-symphony-orchestra_gbia0323321b_01_3.8_CT_EQ.mp3, _78_rigoletto-la-donna-mobile_enrico-caruso-victor-symphony-orchestra_gbia0323321b_01_3.8_CT_flat.mp3, _78_rigoletto-la-donna-mobile_enrico-caruso-victor-symphony-orchestra_gbia0323321b_02_2.3_CT_EQ.mp3, _78_rigoletto-la-donna-mobile_enrico-caruso-victor-symphony-orchestra_gbia0323321b_02_2.3_CT_flat.mp3, _78_rigoletto-la-donna-mobile_enrico-caruso-victor-symphony-orchestra_gbia0323321b_03_2.8_CT_EQ.mp3, _78_rigoletto-la-donna-mobile_enrico-caruso-victor-symphony-orchestra_gbia0323321b_03_2.8_CT_flat.mp3, _78_rigoletto-la-donna-mobile_enrico-caruso-victor-symphony-orchestra_gbia0323321b_04_3.3_CT_EQ.mp3, _78_rigoletto-la-donna-mobile_enrico-caruso-victor-symphony-orchestra_gbia0323321b_04_3.3_CT_flat.mp3. As midnight strikes, he knocks on the door. does not drink love!Refrain Father and daughter embrace, and Rigoletto leaves. Secretly, he fears that the courtiers will find Gilda and dishonour her. Outside Sparafuciles house, by the river. Sempre un amabile, leggiadro viso, in pianto o in riso, menzognero. Rigoletto, still holding the ladder, at first enjoys the joke but then tears off the blindfold. But this gives Gilda an idea. Rigoletto tells Gilda to disguise herself as a man and escape to a nearby town. Baritone Quinn Kelsey and soprano Rosa Feola reprise rapturously acclaimed turns as the tragic jester Rigoletto and his headstrong daughter, Gilda, and two artists make noteworthy Met debuts: tenor Benjamin Bernheim as the promiscuous Duke of Mantua, and Maestro Speranza Scappucci on the podium. Rigoletto / Act 3: "La donna mobile" - Edit. La donna e mobile Songtext von Luciano Pavarotti La donna e mobile deutsche bersetzung La donna e mobile Songtext La donna mobile Qual piuma al vento Muta daccento E di pensiero Sempre un amabile Leggiadro viso In pianto e riso menzognero La donna mobile Qual piuma al vento Muta d'accento E di pensier E di pensier E di pensier Rigoletto, the Dukes hunchbacked jester, mocks the sullen Count Ceprano, who follows them out in a huff. When in 1850 Guiseppe Verdi was commissioned to write a new opera for La Fenice, he decided to base it on Victor Hugo's Le Roi s'amuse, notwithstanding that the French censors had deemed the play utterly unacceptable and banned it immediately after the premiere, in November 1832 at the Thtre Franais in Paris. Pur mai non sentesi Felice appieno E, e di pensier. The Duke sings of womans fickleness (La donna mobile). The grieving father begs her to hold on, but she fades away. La donna mobileQual piuma al vento,Muta d'accento e di pensier.Sempre un amabile,Leggiadro viso,In pianto o in riso, menzognero. sempre miseroChi a lei s'affida,Chi le confida mal cauto il cuore!Pur mai non sentesiFelice appienoChi su quel seno non liba amore!Ladonna mobileQual piuma al vento,Muta d'accento e di pensier,E di pensier,E di pensier! Woman is fickle. The courtiers and ladies enjoy the scene immensely. La Donna e mobile from 'Rigoletto' Alt ernative. An alley outside Rigolettos house. Verdi: Rigoletto, Act III - La donna mobile is an Italian language song and is sung by Luciano Pavarotti, London Symphony Orchestra and Richard Bonynge. [4] Football fans chanted new words on the melody,[5] and it was used in video games and films. Here, in act three, Rigoletto (Quinn Kelsey) and Gilda (Rosa Feola) arrive outside. The preferred versions suggested by an audio engineer at George Blood, L.P. have been copied to have the more friendly filenames. The Duke of Mantua, who sings this. Bass-baritone John Relyea is Sparafucile, and mezzo-soprano Aigul Akhmetshina also debuts as Maddalena. mensognero. and in thought. Jean-Pierre Ponnelle's classic film of Verdi's dark tragedy features the legendary Luciano Pavarotti as the dashing Duke of Mantua

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